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Quilt blocks have different names, often based on the geography, news or situation of the quilter. • Just because there is no proof, doesn’t mean it isn’t true • I like it and that’s the way I’m going to do it, believe it, tell it, wear it. Harriet Powers: A Freed Slave Tells Stories Through Quilting. Retrieved February 22, 2015, from a Common Past: Researching and Interpreting the Underground Railroad.

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As contemporary quilters and fabric artists, we can and do put meaning into our quilted projects. Signature and raffle quilts tell us about families, community organizations, and churches.Crazy quilts tells us about the maker's interests as well as her hand sewing ability.The study into quilt history is a rapidly growing area of research in American history: the important role women played in our history; domestic life in the 18th-20 centuries; development of the textile industry in the Asia, India, Europe and America; the purpose for making quilts; their pattern and style development over time; current reproduction fabrics; and last but not least, dating a quilt or a single piece of fabric by its dyes and the method used to print it.Quilts also reflect social history, such as the westward expansion, pioneering on the Plains, wars, political and religious campaigns and symbols, working women, interior design through time and more.(Billings) It was written with quite informative material describing how these quilts were created and used.

However, the author did not provide any references or citations as support. The Underground Railroad and the Use of Quilts as Messengers for Fleeing Slaves. About the Author Sally Ryan, aka “Aunt Sally” to the reenactors and living historians who know and love her, is an Adjunct Professor in the School of Education and Human Services at Mount St.

Essentially it was a speculative essay of one person’s ideas.

Social media such as Facebook is often a fertile ground for renewing this myth.

Nowhere was there any mention of codes in quilts; although there is evidence of other types of codes and cyphers used for the Underground Railroad. Briefly, we can challenge the quilt code myth just by using some logic and common sense.

There was no one path or “road” to the north on the UGRR. Piecing the Past Together: Nineteenth Century Quilts.

Embroidered and appliqué kit quilts tells us about women in business in the 20th century and the readers of newspapers that featured the quilt pattern of the week.