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Bain continued to record, write, arrange, produce and for 22 years he held the guitar chair for one of the greatest television orchestras of all time The Tonight Show Band.Through the years, Bains talent, respect, and generosity opened the doors for many other studio guitarists, arrangers, and musicians.
Sinatra had a little trouble hitting the flatted fifth.Barbour told Bain he was working with Tommy Dorsey at the Casino Gardens in Los Angeles, and that he was going to stay in town when the band went on the road.Barbour arranged for Bain to sit in with the band one night and when Dorsey asked if he would like to play with the band, Bain responded with a resounding, Sure!It wasn’t long before Colin got a call from Dick Bock, the owner of World Pacific Jazz record label, to play on a single track with Clare Fischer, with Albert Stinson on bass.Dick said the reason he hired Colin was because he heard “Cast Your Fate.” That session became a whole record because Dick liked the way the trio played together.Colin lived in Australia in the late fifties and was staff drummer at T. In 1960, Colin met the biggest influence in his life as a drummer.
Joe Morello came to Australia on a tour with the Dave Brubeck Quartet.
They worked at places like The Macambo, on the Sunset Strip and La Papillon. group in Europe with actor George Raft and singers Louise Albritton and June Clyde.
When Phil worked there, Howard Hughes had the best table in the house, and it was reserved every night for him. No matter how crowded the place was, that table was empty. The troupe toured England and North Africa, and spent time in Italy.
Bain was playing with the Phil Moore band, when a record date for bebop.
Frank Sinatra wanted to record a bop record, so they decided Phils group was the one.
It was titled Surging Ahead and got 5 stars in Down Beat.